Theme Of Women In Different Artistic Periods Essay Example

Theme Of Women In Different Artistic Periods Essay Example Theme Of Women In Different Artistic Periods Essay Theme Of Women In Different Artistic Periods Essay Baroque. Rococo. Neoclassical. and Romantic are all artistic motions of centuries past. It is through the artistic motions that one can capture a glance of society and the manner life was lived during that clip. Ideas and feelings are exposed every bit good as facts are captured by the creative person. It is as if clip bases still and one can see the yesteryear with these plants of art. This is particularly true when a subject or topic is used in art from different clip periods. One can see how the position of the topic has changed or stayed the same. One subject that has evolved over clip is the topic of adult females. Their complexnesss. enigmas. and functions in society have been studied throughout the ages. That is why they have been a favourite point of involvement for creative person. If an creative person can capture the kernel of a adult female. so he/she can capture life. The Baroque Period was the earliest of these artistic motions. It came after the European Renaissance and spanned the whole 17th century. Although some characteristics appear in Dutch art. the Baroque manner was limited chiefly to Catholic states. It is a manner in which painters. sculpturers. and designers sought emotion. motion. and assortment in their plants.1Baroque art was fundamentally an reply to the Catholic Reformation. The aim of the church was to pass on the emotions of the scriptural narratives in art. The church desired that the frequenters who were illiterate to be able to see the art and understand the narrative and experience the emotions that they could non grok because of their deficiency of reading. The affluent frequenters had a different intent for the art they commissioned and this was to impress others. _____________________ Artlex. Baroque. 2008 hypertext transfer protocol: //www. artlex. com The focal point of the pictures were to be dramatic and to state a narrative that would appeal to the senses. The pragmatism in the art of this period was unbelievable. The topics were multidimensional every bit good as the textures accurate. An first-class illustration of art from the Baroque Period is Young Girl Writing a Love Letter by the Italian painter Pietro Rotari. The picture was completed in 17 55 so it was done in the center of the period which would stand for the extremum of the artistic motion. Young Girl Writing a Love Letter is non a picture with a spiritual subject. but Rotari did paint many that were. Alternatively. he chose a immature adult female for his topic. Even though the subject is different than most Baroque art. the immature adult female has a dreamy. about beatific quality and look on her face. There is a pureness about her that reminds one of the Virgin Mary. She is resting her caput on her manus while she gazes off into the distance while contemplating merely the right words to compose to her lover. However. one can state from her guiltless face that even though she is in love. she her motivations are pure. The intervention of adult females as a subject in art during the Baroque Period genuinely reflects the spiritual focal point during that clip. Rotari’s manner is typical of the Baroque Period. His picture of Young Girl Writing a Love Letter is realistic. The immature woman’s hair is painted so that it gives the visual aspect of her hair holding strands with a few wisp of isolated hairs that have fallen out of her neatly pulled back hairdo. The silk cloth of her frock is realistically shown through the usage of visible radiations and darks. Even the wood of the desk is painted utilizing positions so that it has a three dimensional expression. Rococo was the 18th century’s reply to the Baroque motion. As Baroque concentrated on spiritual figures and subjects. the creative person of the Rococo Period focused on the affluent nobility. The cosmetic. graceful curves. delicate colourss. and anything of elegance were the markers of the period. The nobility wanted to be the focal point of the art alternatively of heroes from history and the Bible. The motion originated in France during the reign of Louis XV. The architecture and trappingss of the twenty-four hours were besides representative the motion. One of the first painters during the Rococo Period was Jean Marc Nattier. He was a Gallic painter who. at 15. painted for Peter the Great. but he was a member of King Louis XV’s tribunal and chiefly painted for him. Many of his pictures are still in France and still displayed at the Louvre. Fabulous portrayal allowed Nattier to synthesise his desire to be a history painter with the fiscal necessity of doing a life. for portrayals were in demand. After the 1740s. as gustatory sensations began to alter. Nattier created more straightforward representations. Financial jobs and illness eventually caused him to halt picture in 1762. ( Getty Museum ) An first-class illustration of Jean Marc Nattier’s work is the painting Portrait of a Young Woman Painter. The immature adult female is evidently an blue blood because is adorned in a munificent yet delicate frock with a unworried expression on her face as she gazes out at the picture. She has a face that is delicate as though it has neer seen the Sun. difficult work. or bad and troublesome ideas. Her manus is rested on her caput in a ladylike airs while her smiling is weak. She holds her pallet as if she is non serious about painting. In fact. she looks as like there is nil that truly involvement her. She is graceful and her curves are animal as the unfastened neckline of her frock. The background is muted as are the colourss of the portrayal. It is non bright and vivid as the pictures of the Baroque Period. The artist trades with the topic of a immature adult female as mystical. She does non standout in any manner because of the hushed sunglassess. but merely fades into the background. Her pallet that should hold vivacious colourss on them. but they are changing sunglassess of the background. This symbolizes that a adult female sing an business is merely a frivolous thought that is fliting. Alternatively of beatific as adult females were portrayed in the Baroque Period. the adult female depicted in the Rococo motion is seen more as a position symbol. It is as if she merely exist to turn out that the adult male in her life can afford her. She would be his cogent evidence that by featherbeding her. he has the agencies to prolong his societal place. Following the Rococo Period was the Neoclassical motion which focused on the classical signifiers of the ancient Greek and Roman plants of art. Neo-classicism was a manner that emerged in Britain and France in the 1750s. Artists and designers sought to make an everlastingly valid true style’ that could be expressed across all countries of the ocular humanistic disciplines. The manner was based on the designs of Classical Greece and Rome. A major beginning of inspiration came from archeological finds such as those made at Herculaneum and Pompeii which brought the antediluvian universe to life. ( Learn About Style ) Patriotism. gallantry. bravery. and forfeit were elements of the Neoclassical Period. This motion stated in the 17 1950ss. and lasted good into the 18 100s. Marie-Louise Lebrun. besides known as Elisabeth-Louise Vigee-Le Brun. was a celebrated portrayal creative person during the Neoclassic Period. Her pictures were simple and pure as was popular during the period. Her good known picture. Portrait of Theresa. Countess Kinsky is typical of the Neoclassical design. There is a landscape that is faded into the background so that the focal point is on the Countess. Her caput is wrapped in a long flowing fabric that is evocative of the loose draping of the ancient Greeks and Romans. The frock is of a deep midnight blue that draws the oculus to the authoritative lines of the vesture. Her demeanour is of a adult female that is knowing and intense. The Countess is has a dramatic airs that draws immediate attending to her. Her eyes are piercing while her smiling is tempting. The subject of adult female in this image is alone in that the topic is a female seen through the eyes of another female. It is astonishing how Lebrun presents a adult female of obvious strength that is non seen in the old pictures. The Countess is a confident compelling topic. There is power in the look of her visage. Her mind is shown as a positive component that merely adds to her beauty. In world this woman’s life was instead tragic. Her hubby left her at the communion table after their nuptials and went to his kept woman. Given the beauty of Theresa. the Countess. 1 wonders about the personalities of the people involved.1A adult female who lived the life of the Countess would hold to hold been strong and command the attending of Lebrun. who was a professional adult female and was besides a symbol of strength. The Romantic Period encompassed the first half of the 19th century. The creative person of the twenty-four hours concentrated on emotion. the supernatural. and the glory of nature. _____________________ Countess Kinsky. 2008. hypertext transfer protocol: //hal. ucr. edu/~cathy/artists/evlb93. hypertext markup language Romantics were more emotional. normally melancholy. even melodramatically tragic.1There was more of an attending to the alien that the ancient Greece and Rome. There was besides a captivation of horror. It was decidedly different from artistic period in the yesteryear. One could non assist but be drawn into the emotional province of the topic because it was the aim of the Romantic creative person to wholly convey the emotion of the topic of his/her art. The talented Theodore Chasseriau was characteristic of the Romantic Time period. He started painting at a immature age and was a maestro painter by the clip he reached maturity. The Angel. by Chasseriau. is unlike any of the angels painted in earlier artistic periods. The angel is either on Earth or a topographic point that has a similar landscape. The outstanding tree bole. the colourful autumn leaf of the tree leaves. and the alcoholic green undergrowth are typical of the Romantic focal point on the glory of nature. The light fluffy clouds add to the consequence. The beatific being depicted on Earth is an illustration of limelight on the supernatural. The look of deep concern and hurting is on the face of the being which is opposite of what most think of angels who are thought to be animals of peace. love. and protection. However. this angel is in aching in some manner. The vesture is realistic. but the hair and plumes of the angel are more antic than existent. The angel is depicted as a adult female in the painting The Angel. It sets the tone that adult females were seen as celestial existences during the period. They were non seen as equal to work forces. yet work forces saw them as cryptic. The fact that this angel is hard-pressed shows to _____________________ Artlex. Baroque. 2008 hypertext transfer protocol: //www. artlex. com the spectator that Eden might non be what the universe expected it to be. As adult females are stereotypically emotional people. the angel is decidedly female. In the Bible. the angels have male names. yet Chasseriau. like others of his twenty-four hours. portrayed it as female. Womans were seen as the 1s who were vastly emotional. Womans have been the topic of art of all time since there was art. They are fascinating and juggling. Each artistic period was representative of society’s position of adult females. It is a manner to stop dead a minute in clip. It is an interesting thought to analyze how the topographic point of adult female in society has evolved over clip. Bibliography Chasseriau. Theodore. The Angel. 1840. Countess Kinsky. hypertext transfer protocol: //hal. ucr. edu/~cathy/artists/evlb93. hypertext markup language Getty Museum. Artist. hypertext transfer protocol: //www. getty. edu/art/gettyguide/artMakerDetails? maker=459 Learn About Style. Neoclassicism. hypertext transfer protocol: //www. vam. Ac. uk/vastatic/microsites/british_galleries/bg_styles/Style05a/index. hypertext markup language Lebrun. Marie. Louise. Portrait of Theresa. Countess Kinsky. 1793. Nattier. Jean Marc. Portrait of a Young Woman Painter. 1740. Rotari. Pietro. Young Woman Writing a Love Letter. 1755.